




FAN SKIN CONCEPT - K/DA por Shen YH artstation.com/yh_shen
a pal asked me how i drew teeth so i made this quick lil mini tutorial on how i do it!! this is by no means a professional tutorial and im still learning but i hope this might b helpful to some!

THANK YOU! ANON!
I stopped the coloring of the shirt
here cause I guess you get the basic idea. If you wanna see more of the
coloring and the brush I use you can look HERE!
Also you can see how not just folds but shading can define a form HERE!
I hope this helps! I’m so bad with words and explaining things (/)//(/)
Anonymous asked:
ghostbri answered:
hey, thanks so much! this might get a lil long (as it always does!!) so bear with me.
firstly i want to say, there’s no right or wrong way to pick colors. every artist has their own palette they prefer and i think it’s super delightful to spend time developing your own special sense of color. so even though i’m explaining things in a “this is how you do it” sort of way, it’s not the only way! just my way. the best method to develop your own sense of color is to look at a LOT of art, look at a LOT of the world around you, and practice practice pratice.
at this point in my life i pick colors intuitively just because i think it’s something i’m naturally tuned into, and i’ve been doing it for a few years, so i don’t actively plan my palettes. but here are some things that i think about as i pick colors.
firstly, i want to go over hue, value, and saturation. i’m sure everyone knows these intuitively but i want to explain them in words. hue, value and saturation are what make up a color, and decide how colors differ from each other.
hue: what color the color actually is. red, purple, green, yellow, and everything in between.
value: how light or dark a color is. if you’re painting traditionally, adding more white or more black to a color lowers or raises its value.
saturation: how “pure” the color is vs how much neutral tone is in it.
here’s an example of all three:

this comes into play because a big mistake i see beginners make is that they pick a “just” color, and by that i mean they pick “just blue” or “just yellow”. imagine buying a set of oil paints and only using paints straight from the tube without ever mixing. it would be impossible! so i try to avoid picking “just” colors, except as for a complementary color (more on that in a bit). here are some variations of a red, for example.

so, the biggest thing for me when i pick colors is that i want them all to be friends. i want them all to have something in common so that they get along. i usually lose control of a painting when my colors feel to different from one another. so, i will usually start a painting with one color i know for sure i want, and “subordinate” other colors to it, meaning every other color i pick has to look good with that color. as to how you figure out what looks good and what doesn’t, that just takes time and lots of observation to build a personal opinion :) here’s an example from one of my paintings. in this case, the main color is the trees.

and here’s another from rick & morty, the main color is the sky this time.

now that that’s out of the way, i’m going to give you the Actual Cheat Sheet for color palettes. in color theory, there are 8 basic color schemes that are generally pleasing to look at. here they are.
i usually use an analogous palette or monochrome palette out of preference. the two examples above more or less fall into those categories. however, i also like to use split complementary because the complimentary color adds a LOT of contrast and visual interest. it’s great to use if you have a specific thing in a painting you want to draw attention to. here’s an example:

it doesn’t always have to be a perfect split complementary, just one color that differs from the “family” of colors that take up a majority of the piece.
now! you might be wondering when’s the right time to subordinate a color, or where to put it, or how much of it to use, etc. and the answer is: CONTRAST. there is always visual interest in things that are different. i was rifling through my school notes and found these great types of contrast when working with color.
value: things that are light vs things that are dark.
hue: two colors that look different. I.E. yellow vs blue.
saturation: things that are saturated vs things that are desaturated.
proportion: note the example above. a majority of the painting is orange, so the green stands out because there is proportionally less of it.
temperature: things that are warm vs things that are cool.
complementary: red vs green, blue vs orange, yellow vs purple. when in doubt, these colors always contrast against each other because they have nothing in common (there is no red in green, etc).
simultaneous: this is a little advanced and i’m bad at explaining it, so please read up on it here.
a super helpful exercise is to look at your favorite illustrations, paintings, photographs, designs, etc and assess which one of the 8 color schemes (linked above) it has, and which types (can be more than one) of contrast it has. we did this in school and it REALLY helped me look at color better. here’s part of the assignment i did, the artist is annette marnat.

so! that’s pretty much how i think about color and how i pick my colors! i hope it was somewhat helpful! there’s so so so so much about color theory i can’t even begin to cover, i highly urge you to watch some videos and read some books and articles to further your study. a great starting place would be this series of videos. these are made by my teacher Richard Keyes, i think he had a dvd or something. everything i’ve talked about so far i learned from him and he is an absolute expert in color. these videos are invaluable. if you take anything away from this post, let it be to watch these videos hahaha.
to answer your question about my color leads, every painting was a collaborative effort between the three of us, and sometimes other painters too. it was a very hands-on crew, so i can’t say any of the r&m bgs i did are 100% “mine”. however, i think my personal color sense is waaaay different than jason or phil’s, which made the process very interesting because we usually had 3 very different opinions hahaa. you can check out their work here and here to see what things they brought to the table in relation to my own contributions.
thank you for the ask! again, i hope this was helpful :)
I want a GPS voiced by Bang Yongguk
“Chyeah turn left in 5 miles. Or you can go down the right path and fight for justice to create a better world”
😂😂😂
The importance of consent: a narrative.
I will forever reblog this gifset.
look at how badass she is though i mean some of it gets on her too and doesn’t even give a fuck
She pours hot liquid on her own leg she’s that badass.
fire cannot kill a dragon.
Gløgg (warm mulled wine)
Happy winter Solstice (2 days ago) to my southern hemisphere followers! Since some of you are complaining about the cold (try living in Skyrim guys!), I dedicate today’s recipe to you.
Now Evette San in Solitude is very, very secretive about her spiced wine recipe. I promised when I left the Thieves Guild that I’d put my life of crime behind me, so as tempting as it was to break into her home and steal the recipe…I did not. Instead, I spent a few days at The Winking Skeever making a mess of their kitchen to bring you my own take on San’s Spiced Wine, and they still serve it there. If getting to Solitude is too long a journey for you, you can recreate this from the comfort of your own homes. I hope you enjoy!
You will need:
1 bottle Alto wine or other red wine of choice
2 sticks cinnamon
1 vanilla bean pod, sliced open
½ tbsp whole cloves
1 tsp whole dried peppercorns
1 piece star anise
1 tsp nutmeg
1 ¼ cup honey
1 tsp allspice
Chopped walnuts or almonds (optional)
Method:
In a large pot, bring the wine to a simmer. Add the honey and stir thoroughly until it’s mixed through.
Add all the spices. Bring the wine to a boil and cover with a lid. Boil for 5 minutes, then remove the lid and reduce down to a simmer for another 10 minutes.
Remove from the heat and strain. Ladle into large mugs. Garnish with nuts if you want and enjoy!
♡ STRAWBERRY BANANA CHEER-UP MUFFINS ♡
This recipe has always cheered up my family, and some witchy alterations can make it extra special ♡♡
INGREDIENTS:
♡ 1 ¾ cup flour
♡ 2/3 cup sugar
♡ ½ teaspoon baking soda
♡ 2 tsp baking powder
♡ 1 pinch salt
♡ 3 small-medium or 2 large bananas
♡ 1/3 cup softened butter
♡ 2 tbsp milk
♡ 2 eggs
♡ 5-10 strawberries
BAKING INSTRUCTIONS:
♡ Mash bananas and set aside. Cut strawberries into quarters and set aside. Preheat oven to 350. In large mixing bowl mix 1 cup of the flour with the sugar, baking soda, baking powder, and salt. Mix in the mashed banana, butter, and milk, and beat until blended. Turn mixer to high speed and beat for 2 more minutes. Add the remaining flour (¾ cup) and the eggs, and beat until blended. Stir in the strawberries. Pour the batter into lined cupcake tin. Bake until a toothpick inserted into the center of a muffin comes out clean (for me this was around 25 minutes).
WITCHY ADDITIONS:
♡ Draw sigils or runes (I’d suggest wunjo and uruz for this spell) with a toothpick onto the banana peels. By the time the muffins are done the symbols should appear clearer, then you can add them to compost or discard.
♡ When mixing dry ingredients, stir counterclockwise (before adding the salt) thinking about what currently vexes you or your family. Stir in the pinch of salt clockwise thinking momentarily about protecting you or your family from these struggles.
♡ When adding the eggs, clean and set aside the eggshells to dry - these can be ground up and used in future spells or for your garden.
♡ When adding the strawberries, think about small goals to bring happiness to you or your family and stir clockwise.
CORRESPONDENCES: strawberries (love, bring forth positive changes), salt (protection), bananas (love, success), eggshells (protection)
♡ Share with your family or close loved ones to bring happiness and small mercies their way!